Dwig very seldom produced second rate material, but I must reluctantly place Makin’ B’lieve in that category. Penned for the New York World‘s Sunday funnies section from June 2 1912 to January 26 1913, the strip always ran in a quarter page format that might have made him felt like he was merely producing filler (those quarter pages had been introduced to accommodate the occasional quarter-page ads that had started to appear in the Pulitzer Sunday sections).
The plot was simple and repeated each week with rote regularity; kids come up with a pretend scenario, start acting it out and then some low-key mayhem takes place. Dwig was a master of the mayhem scene, as proven in School Days and other features, but in Makin’ B’lieve it was like the economy bargain basement version of mayhem, barely a hair out of place as compared to his normal anarchy.
On a side note, Dwig seems to have invented the idea of ultra-modern sleek furniture design with that rocking chair. It only took nearly a hundred years for someone to actually produce it: