By C. Whitney Gilchrist (Cartoons & Collegian Fun, January 1927)

I am delighted to know that CARTOONS & COLLEGIAN FUN is
giving some of its valuable space to an interview with Arthur Racey. Racey
shares the distinction with only a few cartoonists on this continent of having
become a local institution. In the popular estimation, he “hits the nail
on the head” —a more difficult accomplishment than it sounds—very
frequently where serious subjects are concerned. And Montreal gets about one chuckle a week out of
his burlesques, which strikes me as a pretty high average.

As I have said, I am glad your magazine is giving Racey this
recognition. I do not know any man who has worked more honestly and
consistently, or who stands for a better tradition than does he.

Faithfully yours,

E. L Archibald

Executive Editor

The Montreal
Daily Star

“Canada’s   Greatest 
Newspaper.”

When Sir Arthur Meighan came into power in Canada, some time ago, he asked
Arthur G. Racey and another cartoonist to do some propaganda cartoons for the
Conservative Party. The next day Racey sent in forty ideas for cartoons, each
numbered consecutively, and followed this up each day until he had submitted about
two hundred. “Just mark the numbers you want and I’ll do the rest,” he
said.

Meanwhile, the other cartoonist waited patiently for some
time and finally wrote asking why he was getting no work. He had been waiting
for someone else to suggest ideas for him!

With this in mind, it is not hard to understand why Racey
has done virtually all the cartoons used by the Conservatives in their last
three election campaigns and is regarded as the greatest— certainly the best
beloved— cartoonist in Canada.

For twenty-seven years he has been staff cartoonist on Lord
Atholstan’s famous old independent newspaper, The Montreal Daily Star. Before
joining The Star he had been employed on an opposition newspaper, The Witness,
for seven years, making more than a third of a century in the cartooning
profession.

Racey was born in Quebec
City in 1871. While attending Quebec High School,
he submitted a cartoon to The Witness. It was not accepted, but the drawing showed
so much talent that the editor wrote encouraging the young artist to persevere.

After high school came St. Francis College and a
B.A. at McGill University, then the position on The Witness.

Besides his permanent newspaper work, Racey has contributed
to Life, Punch, and many other foreign and domestic humorous publications. He
has also done considerable drawing for MacLean’s Magazine. His cartoons have
been reprinted wherever the English language is spoken.

Among other things he illustrated Stephen Leacock’s
“Sunshine Sketches of a Small
Town.” “In this
book,” he explained. “I depicted an Anglican canon with spats.
Shortly after it came out I received a letter from Bishop Carmichael, which
read: ‘Dear Arthur: I thought you understood that a Church of England clergyman
does not wear gaiters—”I sent the letter on to Leacock and got the
following characteristic reply: ‘My Dear Racey: If you and I wish to make a
Church of England clergyman wear gaiters, he’s jolly well got to wear
’em.'”

Just to show that cartoonists slip up now and then, just
like other folks, Racey tells this incident:

“Once in a political cartoon I made use of ‘Tom O’
Shanter’ riding over the Brig O’ Doon with the
witches in close pursuit. The following day a redheaded and much riled Scotsman
stamped into the office and bitterly berated me for not studying Burns more
carefully. ‘Why’ said I aghast, ‘what have I done now?’ ‘Hoot mon!’ he cried in
indignation, holding the cartoon in front of my face, ‘dinna ye ken better at
a’? Here ye’ve made Tam ridin’ frae east tae west, when Burns says he rode ower
the Brig’ O’ Doon frae west tae east!”

On another occasion, Racey drew a sketch of all the
bald-headed Members of Parliament from the press gallery. Shortly afterward he
received a letter of severe reproof from an old French Canadian member who
declared he was not bald.

“I believe he did have ten or fifteen hairs, all
told,” Racey remarked with a grin.

“A similar instance,” the cartoonist continued,”
was when, some years ago, the Montreal Star ran a publicity stunt. Every little
girl that would send ten cents and her photograph -could have her picture in
the paper and the money thus taken was turned over to some fund or other. This
happened before the days of modern engraving, and every photo had to be drawn
from the blueprint, blocked and etched by hand. Some job? I’ll tell the world.

“And how those photos did pour in; we artists were
swamped with work! One day I had an engagement for golf, when just at the last
moment a batch of eighty came in! However, we divided up and got to work. The
last of my lot was a little Mary Murphy and I’ll confess the poor kid got
sketchy treatment. Next day one of my colleagues rushed in and yelled ‘Beat it,
Racey, if you value your life, there’s a wild, raging mother stamping upstairs
with a club looking for the man ‘what drawed Mary Murphy’s fice.’ I did beat
it.”

Racey was a close friend of the late Sir Sam Hughes. He
tells an incident of their first meeting, in an article in MacLean’s Magazine.
During a train journey he had been drawn into conversation with a fellow
passenger. The conversation drifted to a newly published book of cartoons,
“The Englishman in Canada”
by Racey.

Sir Sam launched into a detailed and red-hot criticism of
the book and of the artist himself. Finding his companion responsive and
interested, he “soared to inspired heights of condemnation, tempered now
and then by a bit of praise. Soon the train reached Montreal and, when parting, Sir Sam suggested
that having proven such congenial companions it would not be amiss to become
known.

“I am sorry,” he apologized, “but I was so
intent on discussing that rascal Racey that I did not think to introduce
myself. My name is Hughes-—Sir Sam Hughes. And yours—?”

“I am very pleased indeed to make your acquaintance
sir,” said the cartoonist, “and sincerely hope we shall meet again.
My name is Racey—A. G. Racey.”

With a muttered “Good Lord!” Sir Sam turned on his
heel. They met again, however, and very often; their acquaintance grew into a
lasting friendship.

Racey is a life member of the Montreal Art Association, having
studied oil and water colors under the late William Brymer, R.C.A., and the
late Mr. Moss of Ottawa.

Racey has a fertile mind and a fund of humor. Above all he
loves a red-hot election battle. During the reciprocity issue of 1911 his
powerful stinging cartoons were reprinted all over Canada and the U. S. After the
elections he received a letter from Robert Borden which read, “Your
cartoons contributed not a little to the successful termination of the eventful
campaign we have just been through.”

During the World War, although too old to go to the front,
Racey made a lecture tour with his war cartoons, throwing them on the screen
before wildly enthusiastic audiences in every city and large town all over the
Dominion. This tour netted about $45,960 for the Red Cross and other patriotic
organizations.

According to Racey there are three things that one who would
succeed in the cartoon game must do: (1) work, (2) study technic and (3) work.

Enroll with a good school, study the principles of
cartooning and then practice, PRACTICE and persevere. Soon you will find that
through your persistent, conscientious endeavor you are steadily climbing the
hill to success.

In the beginning you must help yourself and depend on
yourself only, let your own unconquerable determination surmount all obstacles
and help you over the dark moments. But when at last you have shown your determination
to win you will find hands outstretched on every side ready and willing to give
you a friendly lift. Such is life.

And when at last you have “arrived” you will find
that carping critics, deeply wronged Church of England clergymen, indignant,
redheaded Scots, raging Cockney mothers, and irate M.P.’s jar upon you but
little—other than perhaps a momentary feeling of nervousness.