[Editor’s Note: I scanned this article thinking this was the Tom Hill who worked on Mark Trail for many years — turns out it isn’t. Can’t throw away a perfectly good article, though, so here it is. You can visit this site to see examples of this Tom Hill’s work.]
Tom Hill Is Traveling Artist for Chi. Tribune
By George A. Brandenburg (E&P, 1952)
Chicago — Travelin’ Tom Hill, six-foot, red-headed artist for the Chicago Tribune, is equally adept with his sketchbook in a GI foxhole in Korea, or on the banks of the lazy Wabash in Indiana.
When Tom gets an assignment from A. M. (Mike) Kennedy, Sunday editor, he bundles up his sketchbooks, brushes and water colors, and he includes a notebook and pencils along with a small camera loaded with color film. He recently accompanied Wayne Thomis, Tribune aviation editor, to Japan and Korea, for a five-week tour, spending a week at the front with American GI’s.
Writes His Own Captions
Tom’s black and white sketches, illustrating Wayne’s articles, appeared in the daily issues of the Tribune. Tom’s impressions of Korea and Japan in water colors have since been published in the Sunday Tribune’s “Grafic” magazine section. He writes his own “captions” for his illustrations.
Young Hill’s doubletruck in color dealt in sketchbook style with American GI’s in Korea. “These are things our boys are seeing every day” wrote Hill. Then followed his illustrations of Korean women washing clothes in a stream, the re-fueling of an American jet fighter plane, a Korean farm scene, and American soldiers in an observation post “up front.”
His impressions of Japan followed the next Sunday in the Grafic section in another color doubletruck. The busy street scenes in Tokyo were to Tom’s liking. “I prefer to paint the life around me, places and people as I see them rather than any specific subject,” he explained. “I’d rather do a street than a house, and the men, women and children walking, working and playing in that street than any individual.”
Served in Navy
Tom Hill, born 30 years ago in Texas, has been a Tribune artist for the past five years. Prior to coming to Chicago he had lived in California and Hawaii. During World War II the big redhead finally got in the Navy, although assigned to limited service because of ear trouble developed in boyhood. He served as a Naval visual aid artist in Honolulu, where he held his first one-man show at the Academy of Arts. He has since held seven one-man shows of his work and has exhibited in the Chicago Art Institute, the National Galleries in New York and other places. His latest one-man show, devoted to his Korean and Japanese paintings, opened at the Chicago Artist Guild’s club rooms in late August.
Hill told E & P that he has been drawing and painting since before he can remember. He was going to art school in Los Angeles when the war started. When the Navy first turned him down, he went to work for an aircraft factory, drawing illustrative material showing how to assemble aircraft parts. Upon returning from service after the war, he served as assistant art director of the Universal-International Art Studios in Hollywood.
A Chicago art broker put the Tribune on Tom’s trail. Through a combination arrangement, young Hill was assigned to the Tribune’s Sunday staff, but “available” to the Tribune’s advertising art department. Fred Shafer, head of the advertising art department, met Hill when he came to Chicago and assigned him his modest studio. “Have fun,” said Shafer, “and try to come up with something.”
Likes Travel Assignments
During the past five years, Tom Hill has not only been having fun, but has “come up” with plenty of good illustrative material. He liked the travel assignments given him by the Sunday editor. These first included New Salem, Dubuque, Southern Indiana and the Ohio River Valley.
He works almost entirely in water color. He explained, however, that while at the scene he often makes quick sketches and uses his color camera “as a tool” to capture the color and detail. When he gets back to the Tribune, Tom functions much like a reporter; he finds out what space the editor has planned and then selects and paints his illustrations to fit the space assigned.
Tom is perfectly aware of the “competition” of the color camera in modern illustrative work. He feels, however, there’s no need for illustrations and photographs to be competitive. “The two are entirely different mediums,” he pointed out, “and they serve entirely different purposes.”
Paintings Can Interpret
“Painted illustrations interpret,” he said. “Color photography is a literal translation. An artist can give the illustration a little more interpretation and imagination. While I paint realistically, I don’t try to copy like the camera would.
“The camera is impartial. The artist can be selective. His paintings can be very interpretive and individualistic in their presentations of scenes and people.”
In addition to his art work for the Grafic section, Mr. Hill also does illustrations for the Tribune’s travel sections in color. In fact, he likes being an “artist correspondent,” going to the scene and coming up with “feature stuff that is of news interest.”
Doubles in Water Colors
Scheduled for an October issue of the Grafic is Tom Hill’s double-truck painting of how Chicago’s new Outer Drive extension is going to look. He continues to “double in water colors,” dividing his talents between editorial and advertising art. He also does black and white advertising illustrations.
Sixteen of his water colors, depicting scenes from Guatemala, Canada and the Hawaiian Islands, hang in the Well of the Sea dining room at the Sherman Hotel. His wife, Wanda, is a well known textile designer.
Their baby son, Tom says, has kept them from traveling to “far away places” in recent years. That’s why the Northwest Airlines “press flight” via the Great Circle route to Japan early this spring appealed to Tom Hill, who became an accredited war correspondent (shots and all) so that he could accompany Wayne Thomis on a “side trip” to the Korean front. They call him, “Travelin’ Tom,” at the Tribune.
Hill is also well known for his oil portraits of Chicago Press Club presidents, whose pictures hang in the club’s quarters in the Sheraton Hotel.